Our reviewers select and review the best independent and foreign films on amazon.com, cd universe, and netflix

Our reviewers select and review the best independent and foreign films on amazon.com, cd universe, and netflix
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Bobby Talks Cinema

Me and Orson Welles (review)

Me and Orson Welles (UK 2008, 114 min. dir: Richard Linklater, cast: Christian McKay, Claire Dames, Zac Efron).

Towards the end of his life Orson Welles would agree to appear in any film, TV show, or commercial that would pay him $2000 a day. His bulk required a wheel chair and an oxygen tank at the ready to help him breath. He died owing thousands on his house account at Ma Maison: the one restaurant that let him run a tab.

The Orson Welles of this film is young, vital, creative, egoistic, charismatic and thoroughly mesmerizing. Christian McKay played Orson in a one-man show long before signing to play this part. His familiarity and ease with the role make the movie.

The plot isn’t much. Orson’s Mercury Theatre troupe is about to perform Julius Caesar on Broadway. Orson hires a young aspiring actor (Zac Efron) to play a small part. Zac falls in love with Claire Danes (Sonja) without realizing Orson is also bedding her.

What makes Me and Orson Welles rise above the plot is its examination of the theater, of the belief that great things came happen there, and that actors are really escape artists fleeing from themselves. “If for 90minutes I get this great reprieve from being myself—that is what you see in every great actor’s eyes.”

Too bad a movie about the soul of Broadway had to be shot in London. This is a British production trying to overcome the lack of money by faking just about everything from Central Park to 45th Street. Maybe it was deemed too risky for Hollywood.

The risk also led to an advertising campaign featuring the young romance angle (Zac and Claire) and completely ignoring the power of the film vested in Christian McKay as Orson. His wonderful examination of an actor’s soul—or lack of it is what’s worth watching. Me and Orson Welles also has a lot to say about an amazing period in American theater (during the Great Depression) and the crazy genius who went from staging Shakespeare’s Julius Caesar as a Nazi parable to vowing “We will sell no wine before its time” in TV commercials.

 

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